Currently living in London, Pascal Marzan performs on a 10 string microtonal guitar.

After studying classical guitar – mainly devoted to the twentieth century repertoire – and teaching guitar in several music schools in Budapest, Hungary and France, Pascal has dedicated himself to free improvisation and the exploration of microtonal tunings of his instrument. His playing has been influenced by his interest in the folk musics of Eastern Europe, Asia and Africa.

Simon has been creating music and sound design for theatre & contemporary dance for 20 years years, working with companies such as Headlong, Old Vic Productions, Tiata Fahodzi, House of Absolute, Javaad Alipoor Company & Fabula Collective.

Hanover based mcddavid is part of the Mopomoso Team. As an improviser mcddavid developed techniques without touching the instrument. He makes chaos poems and subversive performances with balloons and pipe-cleaners. He has composed two operas involving audience participation for Mopomoso.

Neil Metcalfe (flute), has been active on the London improvising scene since the 70’s.

Tokyo based Yoko Miura trained as a classical pianist before moving into the worlds of Jazz and popular music. She began free improvisation with the Shakuhachi in a workshop setting and since 2002 has been performing as an improvisor in her native Japan and in Europe, having played with a.o Osamu Karuda, Jean Borde, Hans Koch and Yoshihiro Goseki. She gains her inspiration from natural scenery and nature and her music contains elements of peace and tranquility.

N.O. Moore is an electric guitarist with a parallel interest in electronics and drum machines. As an improviser, he has played with people such as Eddie Prévost, John Butcher, Rachel Musson, John Edwards, Sue Lynch, Alan Wilkinson, Steve Noble, and Steve Beresford. He can now be heard on a number of recordings, including Nous (with Prévost and Jason Yarde) on Matchless, and The Secret Handshake with Danger (with Henry Kaiser, Binker Golding, Olie Brice, and Prévost) on 577.

Maggie Nicols joined London’s legendary Spontaneous Music Ensemble in 1968 as a free improvisation vocalist.

She then became active running voice workshops with an involvement in local experimental theatre.

She later joined the group Centipede, led by Keith Tippets and in 1977, with musician/composer Lindsay Cooper, formed the remarkable Feminist Improvising Group.

Alex Paxton (1990) is an award-winning composer & jazz-trombonist. His scores are published by Ricordi (Berlin).

Matt Rogers is a British composer who has written for and with a host of leading instrumentalists, ensembles and technologists, creating music and installations for concert halls, theatres and galleries.